I began gathering images of the freehand I wanted for her cloak and even began some rudimentary construction of her base. I began pulling bits and pieces on Celtic lore and information about Morgana from the tales of King Arthur. I wanted to depict her in the forest with green robes and red hair working her spells. This would be a new challenge for me as I had never painted a female figure before. I knew I wanted to try and paint a few pieces for the competition a bust, a single large scale figure, and a monster but how did that involve “How to train your Dragon?”įor my large-scale figure, I settled on Morgana le Faye. ![]() A chance to be inspired by numerous beautiful pieces and attend classes with artist whose work astounds me. I had in the past wanted to attend Crystal brush to see what is arguably the best miniature painting competition in the states. A month or so after Gencon 2016 I decided I wanted to take my next step to becoming a better miniature painter. So, I wanted to take some time and talk about one of my most recent pieces I did for the Crystal Brush 2017. How to train your dragon actually came about almost through coincidence and was initially going to be two separate entries for Crystal Brush. Stay tuned! Realise your dreams with The Illustrated Fantasy Artist, out soon! This promises to be the magazine that all fantasy figure painters have been crying out for. As of October 1st, we will be bringing you a bimonthly issue of The Illustrated Fantasy Artist! We already have content lined up for the first four issues and we are really excited about delivering for you a product unsurpassed within our niche market! We have informative and inspiring articles by Alfonso Giraldes, Joaquin Palacios, Arnau Lazaro, Dmitry Fesechko, Camelson, Francesco Farabi and others written by the up and coming generation of painters such as Kristian Simonsen, Chris Suhre, Paolo Di Poce and so many more besides. ![]()
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